| Alkotó | |
|---|---|
| Kultúra | Italian |
| Készítés ideje | second half of the 15th century |
| Tárgytípus | sculpture |
| Anyag, technika | terracotta |
| Méret | 53 × 29 × 18 cm, 10 kg |
| Leltári szám | 2047 |
| Gyűjtemény | Sculptures |
| Kiállítva | Museum of Fine Arts, Second Floor, European Sculpture 1350-1800, Gallery 1 |
The story of Tobias and the angel is known from the Book of Tobit. The young Tobias captured a fish from the River Tigris with the help of Archangel Raphael. Helped by the archangel, Tobias used offal from the fish to cure his father’s blindness. Tobias and the angel were usually depicted with the fish and Tobias’ faithful dog. The work of the Confraternita di San Raffaele rendered these
representations more common in 15th-century Florence. The Budapest terracotta was probably made by the sculptor conventionally known as the Master of the Unruly Children, who worked in Florence in the early sixteenth century, and who is usually identified with the sculptor Sandro di Lorenzo di Smeraldo in recent scholarship.
Balogh, Jolán, Katalog der ausländischen Bildwerke des Museums der bildenden Künste in Budapest, IV – XVIII. Jahrhundert: 1. Textband Bd. 1, Akadémiai Kiadó, Budapest, 1975, p. 71-72., no. 67., 90.
Pope-Henessy, John, “Italian sculpture – Budapest and Paris”, Apollo 102.161-166 (1975), p. 474-475.
Dal Poggetto, Maria Grazia Ciardi Dupré, “Recensione – Jolán Balogh, Katalog der ausländischen Bildwerke der Museums der bildenden Künste in Budapest. IV-XVIII Jahrhundert Budapest, Akadémiai Kiadó, 1975 Vols. 2: I, Textband; II, Bildband.”, Prospettiva 8-11 (1977), p. 63-67.
Jékely, Zsombor (ed.), Verrocchio Krisztusa/Verrocchio’s Christ, Szépművészeti Múzeum, Budapest, 2003, p. 58-59, no. 5.
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