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Shu amulet

Készítés ideje 7th-4th centuries B. C. (664-332)
Tárgytípus amulet
Anyag, technika Egyptian faience
Méret

3 × 1.8 × 1.5 cm

Leltári szám 52.716
Gyűjtemény Egyptian Art
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The amulet depicts the god Shu. Shu emerged from Atum, the creator god, as the first step in the creation process of the universe, when Atum sneezed him out. Shu is the void, the air that separates sky and earth appearing in the next stage of creation. On the other hand, Shu also holds the sky, Nut, and thereby initiates and protects the process of creation and the cyclical celestial journey of the sun. This was of particular importance in the mortuary sphere. When identifying with Shu, the deceased became unimpeded on his journey towards rebirth. For this reason, Shu amulets were placed in the lower part of the deceased’s torso, between the mummy bandages. Furthermore, Shu could also serve as a magical amulet at birth as a supporter of life.

The god Shu also created eight supporters to assist Nut, who are called Heh meaning ’eternal’. The gods Shu and Heh are thus intertwined in promoting the creation of the universe, its eternal sustenance, and the continuous renewal of the sun god and the deceased. The connection is also evident in the iconography of the two gods. In three-dimensional depictions, Shu holds up the solar disc, which symbolises the sky, with both arms raised while he sits half-kneeling on a small pedestal. His head, which also features the feather, attribute of Shu, and legs were depicted frontally. He wears a long tripartite wig, a false beard, and a short kilt. On the other hand, Heh was also depicted seated with his arms held upwards, however he was usually shown in profile. This makes it difficult to separate the two gods, especially in the case of low-quality amulets.

On the back of the small object, there is also a back pillar with a hole for suspension. The amulets were most often made of glazed Egyptian faience, whose green colour also supported rebirth. This Shu amulet type, with its lower quality, can be dated to the Late Period.

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