| Alkotó | |
|---|---|
| Kultúra | Spanish |
| Készítés ideje | 1621 |
| Tárgytípus | painting |
| Anyag, technika | oil on canvas |
| Méret | 150 × 90 cm |
| Szignó | Signed and dated lower right, in Spanish: Dn · Bar(…)me · gonzalez pintor del Rey f. · 1621 · |
| Leltári szám | 804 |
| Gyűjtemény | Old Master Paintings |
| Kiállítva | Museum of Fine Arts, First Floor, European Art 1600–1700 and British Painting 1600–1800, Cabinet 4 |
Appointed as a court artist in 1617, Bartolomé González subsequently painted mostly members of the ruling family. He executed his portraits in a dry, rigid style, carrying on the traditions of the Renaissance. In contrast, his few religious paintings are distinguished by their powerful plasticity, their dramatic lighting (tenebroso), and their meticulous imitation of nature. In this painting, following iconographic convention, Saint John the Baptist is holding a cross made from two reeds. The words on the banderole mean “Behold the Lamb of God”. This is accentuated by the saint’s hand gesture towards the lamb at his feet, symbolising Christ. Saint John, living ascetically in the wilderness, is wearing animal fur and a faded red shroud, the latter referring to his martyrdom.
Inscribed on the scroll, in Latin: ECCE ANG(NUS) DEI | E(T) || Q(U)I T(OLLIT) (Here is Lamb of God, who takes away…)
Pigler, Andor, Katalog der Galerie Alter Meister, 1-2. Museum der Bildenden Künste, Szépművészeti Múzeum, Budapest. 2, Akadémiai Kiadó, Budapest, 1967, p. 273-74, 155.
Szigethi, Ágnes – Nyerges, Éva – Ruzsa, György – Barkóczi, István – Tátrai, Vilmos, Tátrai, Vilmos (ed.), Old Masters’ Gallery; A Summary Catalogue of Italian, French, Spanish and Greek Paintings: Museum of Fine Arts Budapest 1, Budapest, 1991, p. 153.
Nyerges, Éva, Spanish Paintings, A Szépművészeti Múzeum gyűjteményei/The Collections of the Museum of Fine Arts, Budapest, Museum of Fine Arts, Budapest, 2008, p. 94-95, no. 40.
Pérez Sánchez, Alfonso E., Prieto, Benito Navarrete (ed.), Pintura barroca en España, 1600–1750, Cátedra, Madrid, 2010, p. 111.
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